Fernand leger brief biography of adolf

He dabbled in painterly abstraction and with a mechanical aesthetic, exhibited with the Cubists and Purists, and experimented with media as diverse as painting, drawing, works on paper, muralism, set design, book illustration, ceramics, and film. As an artist and art teacher, his examinations and interrogations of modernism played a significant role for future generations of twentieth-century artists.

He worked as an architectural apprentice in Caen from to before moving to Paris in There he supported his artistic training by working as an architectural draftsman and photography retoucher.

Fernand leger brief biography of adolf: Fernand Léger was a French painter

He advanced his new formal language among a coterie of avant-garde artists and writers after taking a studio at La Ruche, an artist residence in Montparnasse, in Here he has broken down form into an arrangement of faceted, geometric planes where figure and ground are integrated. Chiaroscuro has been reduced to roughly painted passages of contrasting black and white detached from a light source.

He painted The Village of The planes of color traditionally used to mark illusionistic passages of highlight and shading now convey the intensity and jarring contrasts of urban life. Le compotier Table and Fruit—11, oil on canvas, Reproduced in Du "Cubisme" Les Toits de Paris Roofs in Paris, oil on canvas, private collection. Composition Study for Nude Model in the Studio, oil, gouache, and ink on paper, Contrast of Forms Contraste de formes Published in Der Sturm5 September Paysage No.

Le Fumeur The Smoker, oil on canvas, The City La ville, oil on canvas, The Railway Crossing, oil on canvas, Woman with a Cat, oil on canvas, Grand parade with red backgrounddesigned inmosaic, National Gallery of Victoria. Stained-glass window at the Central University of Venezuela References [ edit ]. Dudley Murphy, Hollywood Wild Card. Minneapolis: University of Minnesota Press.

ISBN School, leisure centre groups.

Fernand leger brief biography of adolf: Adolf Hoffmeister (15 August

Adults groups. Disabled visitors. Social organisation. Visiting regulation. Exhibitions Current exhibition. Upcoming exhibitions. Past exhibitions. Agenda Cultural season Our partners. In part for this reason, the painting is often seen as a classic example of what is known as a "return to order" that was typical of many artists in the early s as they retreated from some of their bolder pre-World War I experiments with form, space, and subject matter.

Fernand leger brief biography of adolf: French painter. Born to

The objects depicted have no support, but rather simply float in space as in works by Joan Miro. The influence of Surrealism is further evident in the bizarre juxtaposition of objects, chosen specifically because of their lack of relation to one another and in that sense the work harkens back to his interest in dissonance and contrast.

No contrast has ever been sharper than between this bunch of keys and Mona Lisa. This painting is part of a series about divers influenced by watching dock workers in Marseilles. The bodies here are woven together like a textile, symbolizing a social network, with the arms, legs and torsos also serving as independent forms. As in Mona Lisa with Keysthe bodies float and intertwine in space with no visible support.

The human figure is depicted here as more naturalistic than in his previous works, making him one of the few artists interested in the human figure during this period. He got the idea when he drove past a construction site: "I saw the men swaying high up on the steel girders! I saw man like a flea; he seemed still lost in his inventions I wanted to render that; the contrast between man and his inventions, between the worker and all that metal architecture, that hardness, that ironwork, those bolts and rivets.

During his studies, he made a living doing architectural drawings and retouching photographs. He claimed that he forgot the abstraction of because of the "crudeness, variety, humor, and downright perfection of certain men around me, their precise sense of utilitarian reality and its application in the midst of the life-and-death drama we were in He aligned himself closely with the circle around Le Corbusier who were interested in machinery and depicting speed and motion.

There are also obvious nods to Futurism in some of his works from this period. During the s he branched out into other methods of creative expression. He illustrated books, made sets and costumes for ballet and theater performances, and even made the film, Ballet Mechaniquein His subject matter during the s and s reflected his interest in social equality.

These works often combined his interest in depicting technology and machinery with a growing focus on the human form, as in Constructor series. His wife died in and he was re-married to Nadia Khodossevitch in Content compiled and written by The Art Story Contributors. Edited and published by The Art Story Contributors. The Art Story. Ways to support us.