Karim abranis et ali amrane biography

Paris offered the Kabyle diaspora unprecedented creative freedom, and music became an instrument for Shamy and Karim to defend, celebrate, and strengthen their Kabyle identity. At the same time, living in cosmopolitan Paris meant that they came into contact with the wider North African community, whose sounds would increasingly influence the Abranis style, together with the musical trends of the time, from prog to disco.

Together they experimented by mixing Kabyle vocals and melodies with garage and psych-rock, a style exemplified by compilation opener Athedjaladde and its firm emphasis on guitars, hypnotic organ, and the funkiness of the rhythms. The next few years saw the release of a handful of singles on several France-based North African labels, a raucous Algerian tour, and several lineup changes.

Karim abranis et ali amrane biography: Couturiere Kabyle THAVALIZTH ALI AMRANE

The marching rhythms, spacey synths, and interplay between the sombre male and sensual female vocals on the synth-disco killer Therrza Rathwemza is an early example of this new approach, which delves even further into their thrilling mix of traditional and experimental. The result is eclectic but superbly executed, ranging from the North African reggae of Avehri to the experimental arrangements of Achethkhii.

The sun had set on their golden days. For a few years Les Abranis continued touring and making music, but in the s they stopped altogether. Over 11 electrifying tracks, Amazigh Freedom Rock highlights their legacy as the underground kings of Kabyle rock. Amazigh Freedom Rock by Les Abranis. Facebook Instagram Linkedin Tumblr Twitter.

Karim abranis et ali amrane biography: Petite tekharbicha des vacances ❤️

Les Abranis, a name that owes nothing to chance for this abrasive formation. Two were constantly at war with each other, while the third was considered more pacifist. From a musical point of view, these ideas were to formulate a link between the folklore of their origins and the sounds that cross the world, a fusion they formulated in with drummer Samir Chabane and guitarist Madi Mahdi.

They also write their lyrics in the middle ground. What are they about? The significance of this, however, can be quickly understood by all, judging by the echo their songs provoke in the mountains of North Africa. In fact, when we started singing in Kabyle, they quickly understood: after three songs, they pulled down the curtain!

Karim abranis et ali amrane biography: Kabyle music is a genre of

They felt that our style was a bad example for young people. And so, naturally, it was a double whammy for this group of free-spirited hirsutes, who were threatening the values of the nation-state as it was being built. From then on, the Abranis were at the forefront of the Amazigh cultural revival movement. And even the hirak took up our slogans.

Karim abranis et ali amrane biography: Read Brahim Tayeb's bio

He adds that they were subsequently censored by the official radio and television. Just as the aesthetic of these musicians changed over the years, as they gradually added strings and chords to their playing, the combo underwent a number of personnel changes, following the departure in of the first pillars, Samir Chabane and Madi Mahdi.

It goes all the way back to Hannibal. Imitated by Tayri inwhich was far more festive in tone. Twenty years after their first grooves, Shamy El Baz and Karim Abdenour went into the studio in to produce a new album in Algeria on their own dime, just as the country had entered the black decade that was to decimate the entire local culture. The Tinariwen and all the followers of desert blues, the Tamasheq sound that asserts an identity at odds with the central state.

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