Laura vaccaro seeger biography templates

But then the other two really do have stories from the beginning through to the end. RS: This is probably a really dumb question, but do you essentially paint the pages in order? LVS: It depends on the book. With RedGreenand Blue I had to because of the die-cuts. Every painting is a part of the one before it and the one after it. I often have to go backwards.

I have to go back. Then I might do something that affects the page before that. Probably with my earlier, more clearly conceptual books like The Hidden Alphabet — I definitely did that out of order. Each letter was self-contained. But for the most part I think I do go in order. Interesting — I wonder what other authors do. What would be a happy color?

But it could be happy too. Sunshine and rainbows. Yellow would be the logical next one, I suppose. RS: But if you do yellow, then Green becomes the odd book out, because the other three are the primary colors. Except in additive colors, where green and blue are the primaries — light and television and animation. The primaries are red, green, and blue.

RS: Wait a minute. What did you say about additive color? LVS: Additive and subtractive color. Subtractive color is part of things that you see. Pink is a subtractive color. Physical forms in our world are all being seen by subtractive colors. Additive color is light. If you add different color light together and mix them, they make another color.

With additive color, the primaries are different. I think because of my experience with animation, and also because I scan the paintings myself — I have two answers. So I have to scan in the artwork and then figure out where the die-cuts are. I do that part of the project on the computer.

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The problem is, if you stay in RGB, making your artwork on the computer, whether it be from scratch or the way I do it, with paint and then scan it in, you could get yourself in trouble. I actually did get myself in trouble with my very first book, I Had a Rooster. Oftentimes it happens with blues. RS: You also have an exceptionally close relationship with your publisher and your editor, Neal Porter.

That laura vaccaro seeger biography templates help. LVS: Oh, yeah. I feel so lucky. The way we work is so much fun. We work at the beach; we work wherever. RS: How many books has it been? LVS: I think Red is the twentieth or twenty-first. RS: Wow. I stumbled upon the perfect editor for me from the very beginning, not even knowing anything about the business.

Kind of dumb luck. LVS: Thank you. So thrilled to once again speak with the wonderful Sally Lodge from Publishers Weekly. Click here to see the interview and more! What inspired GreenBlueand Redand were they very different undertakings? These three books were particularly challenging, each in its own way. Green was a challenge because I knew that I wanted to make a book about the environment, but that subject felt too big to come from my voice, so I had to figure out what to zoom in on.

And this book was especially challenging because every page has a die-cut hole that readers look through, so each painting is connected to the one before and the one after. What I painted on each page also affected the previous and subsequent pages, and that created a back-and-forth that sometimes felt like one step forward and two steps back.

Did that storyline come more easily to you than the narrative in Green? It was a different challenge, since Blue is a very personal book. At the beginning, it was going to be about two brothers modeled after my own two sons, who are three years apart. I envisioned the older boy, at the end, getting old enough that he was ready to move out of the house.

But about three paintings in, I realized that because I wanted to make Blue about loyalty and friendship, loss and sadness, I needed to explore what real sadness is. When I was seven, I lost my two-year-old brother. He went to sleep one night and never woke up, and that set off a lifetime of difficulty dealing with loss. My family never talked about it—his name was never mentioned.

I believe that we need to talk about loss, and about everything in fact, so Blue required a lot of deep digging. And what was the genesis of Redand the nuances of that color? I had been thinking about how our country, and the world, had been divided by so much conflict in the last several years, and I decided to channel that into Red.

This book involved a kind of inside-out process of working, first identifying the emotions that various shades of red could represent—including rage and love—and then finding the vehicle to explore them. Once I came up with the character of a fox who gets separated from his family and trapped by a human before finding his way home, the emotions he felt came to me automatically.

The better I know a character, the more naturally I understand their feelings and they become very real to me. Are there any other colors you wish you had explored—and might you add another hue to the series at some point? If that happens again with another color, I might decide to explore that as well. Neal Porter has been your editor since your very first book, I Had a Roosterwas published in What is at the root of your author-editor connection?

A very deep friendship. From the very beginning, I realized that Neal and I both gravitate toward the same kinds of books, and we both have a strong devotion to graphic design as well as fine art. As we made book after book together, I came to appreciate how organic our work style is. I feel so, so fortunate.

Laura vaccaro seeger biography templates: Laura Vaccaro Seeger is a

Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikidata item. American writer. Career [ edit ]. Personal life [ edit ]. Books [ edit ]. Awards [ edit ]. Refresh and try again. Series by Laura Vaccaro Seeger. Dog and Bear 4 books by Laura Vaccaro Seeger. There have been some wonderful books this year!

Which book shall we give our Caldecott award to? Please feel free to write in answers. A Home for Bird Philip C. Chloe and the Lion by Mac Barnett. Green by Laura Vaccaro Seeger. The Fantastic Flying Books of Mr. Morris Lessmore by William Joyce. Boy and Bot by Ame Dyckman.

Laura vaccaro seeger biography templates: LAURA V. SEEGER: I've been

Extra Yarn by Mac Barnett. More by I. One Cool Friend by Toni Buzzeo. Step Gently Out by Helen Frost. Z Is for Moose by Kelly Bingham.