Sello galane biography of christopher

Sello grew up in Leboneng, Hammanskraal where he completed his elementary schooling.

Sello galane biography of christopher: Beyond Memory: Recording the History, Moments

He received tertiary education at the University of Cape Town where he met other musicians like Judith Sephuma, Selaelo Selota and Magalane Phosokho, with whom he experimented in fusing kiba music into jazz. After graduation inthey went separate ways to pursue solo careers; Galane reversed the experiment by fusing jazz and pop into kiba to a point where the repertoire grew beyond the confines of a single tribal traditional music genre.

Galane plays a family of drums: sekgokolo father drumkgalapedi mother drum and matikwane twin children. His music has also featured in prestigious national events. Kiba, together with other indigenous African music genres have been included in the General Education and Training Arts and Culture curriculum since The notation was sorted partly by my coinage of concepts like aura phonics, aura phonology, and Afrophonia in my Doctoral studies.

This solved the problem of the exclusion of the oral-aural system of encoding and decoding music and sound in general as critical elements of music literacy. The concepts of aura phonics, aura phonology, and Afrophonia have been recently included in the National Curriculum Statement of South African schools for Further Education and Training Music content since Galane, elaborates that it was auctioned through the inclusion of the African Music principles in the National Curriculum statement of Arts Education in South Africa since Galane obtained his doctoral degree from the University of Pretoria on a longitudinal study of the legendary malombo guitarist Philip Tabane whom he has successfully campaigned for his awarding of an honorary doctorate by the University of Venda.

Nzewi, M. A contemporary study of musical arts informed by African indigenous knowledge system: Illuminations, reflections and explorations. Okeke M. Kuala Lumpur, Malaysia. Pick, J. The arts in a state: A study of government arts policies from ancient Greece to the present. Bristol: Bristol Classical. Schuster, J. Sub-national cultural policy — where the action is?

Mapping state cultural policy in the United States. Te Papa, Wellington: New Zealand. Culture for Development Indicators. Galane, S. Personal interview with L. Nawa, Pretoria, South Africa. This article "Sello Galane" is from Wikipedia. His respect for indigenous classification of genres of music in their original names is laudable.

His promotion of African languages in the lyrics of his works shows the high regard he had for the communities that, over the centuries of Imperial domination, have preserved the languages. The centrality of the African music idiom in the flute, voice, guitar and drums is unmistakable. His resilience in using any instrument he could master, and imbuing it with African rhythms, is a marvel for younger generations to follow.

I have explored this approach in my own way and it works.

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This constitutes what he terms "epistemic violence". He feels inappropriate classifications bring about difficulties for the formal teaching and learning of music. He claims that what exists out there is more Afrophonia, presented on the funded platform of jazz. I call most of it Afrophonia, and very little is jazz. A jazz platform such as Joy of Jazz is indeed generously inclusive and it features indigenous African music idioms such as Free Kiba as it has done with others in the past.

He loves gardening and encouraging young people to read - he is a "Read ambassador of SA". The Ga-Maraba royal house has honoured Galane for keeping the Kiba idiom alive internationally by giving him land, where he intends building a Kiba World Heritage Centre. His message for young musicians is they must not clamour for fame. They must rise up in dignity, learn from the experience, and then forge on humbly.

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Sello galane biography of christopher: Beyond Memory: Recording the History,

Renowned SA musician Dr Sello Galane is delighted that he'll be playing the upcoming Joy of Jazz Festival, but insists that his sound is something else entirely. Already subscribed? Sign in below.