Vadim eilenkrig biography of nancy

It was then that Igor Butman invited Vadim to his team. The already famous performer took the place of the solo trumpeter in the popular big band. Systematic exercises and performances day after day, month after month, year after year became a routine for Eilenkrieg. Inthe first version of his solo album was released. Inthe trumpeter was invited to the Kultura channel as the host of the Big Jazz program.

There is not much to say about the personal life of Vadim Eilenkrig.

Vadim eilenkrig biography of nancy: Double Bass and Bass

It is currently free. The musician married once, when he was not yet twenty years old. The husband and wife lived together for three long months. Vadim believes in love, but has not yet met her on his life path. A young and ambitious actor, captivating with his charm. He even plays the role of a villain with a charming smile on his face.

Such that the viewer begins to doubt - is this guy really bad? In Vadim Eilenkrig created his first solo project called XL. Then the trumpeter began experiments with electronic music in jazz. In Eilenkrig graduated from the postgraduate course at the Maimonides Academy. In he became the soloist of Igor Butman's big band. In he was invited to the post of associate professor of the jazz department of the Faculty of Musical Culture of the Maimonides Academy.

Two years later, Vadim Eilenkrig became the winner of the International Jazz Festival in Chimkent, and in the trumpeter created a musical project "Jazz hooligans" in company with the famous showman Timur Rodriguez. In the same year, the musician released his vadim eilenkrig biography of nancy album, titled "The Shadow of Your Smile," this melody is better known by Engelbert Humperdinck.

The trumpeter Eilenkrig has many partners abroad: both in the US and in Europe. However, he constantly cooperates with Russian performers. He is invited to accompanying orchestras, to one-off concerts and performances. If the trumpeter has time, he never refuses. For a long time the musician collaborated with the band "Lube". I like the second one because it creates a feeling of incredible, almost vadim eilenkrig biography of nancy intimacy with the public.

What is the secret of a successful concert? You play for hours every day. If you prepare less, then on the day of the performance you will not think about the music, but about how to get exhausted physically by the end of the event. Preparation is 10 days of hell, and the concert itself is happiness. Jazz does not involve a large number of fans, but, as a rule, these are adults, educated people with a developed sense of beauty, it is a pleasure to communicate with them.

Although, of course, not without exceptions. For example, one fan once wrote to me: "Being killed by your hands is a dream. Does it matter which trumpet a musician plays? My colleagues make a colossal mistake when they change the car, but do not change the pipe. This is incomprehensible to me, because a machine is, whatever one may say, a piece of iron, and a pipe is a tool that enables you to communicate with the world.

I have had many instruments in my life, but a special role is played by the trumpet, made by Dave Monet, taking into account my weight, height, build and even my vision of how I should play. It's like the love of your life. All the previous pipes are my story, they are with me, but I do not return to them. Pipes have to be changed over time, but I really hope that I will overhaul my beloved, but I will not change her.

Is age important for a jazz performer? In pop, a girl at 20 is gorgeous, at 30 she loses her popularity, and at 40 she becomes funny. But in jazz it is different: let's say, it turns out Cesaria Evora or Natalie Cole, who are already over 60, and you believe them like no one else, because they have lived their lives. Which of the currently active jazzmen seems to you the most interesting?

When it comes to my fellow trumpet players, there are two absolutely incredible people: Ryan Kizor and Sean Jones. They are mesmerizing with the way they express their thoughts through music. I highly recommend them. Are there young Russian musicians who, in your opinion, deserve close attention? Polina Zizak is a young singer, participant of the Voice show.

As musicians, they have already taken place, but time will tell whether they will gain media fame. You have worked a lot with foreign performers. How are they different from ours? Performance and discipline. I remember how we recorded the first disc in New York with the participation of world jazz stars. The studio meeting was scheduled for 10 am.

Igor Butman and I came out of habit at Discipline is something that is lacking not only for Russian musicians, but for Russian people in general. You give the impression of a very active person: you collaborate with a variety of musicians, from Lube to Umaturman, from Dmitry Malikov to Igor Butman. How do project ideas come about? Often, cooperation offers come naturally.

For example, it happened with the TV project "Big Jazz": they called me, the casting took place. Despite the seeming activity, I am a very lazy person: I like to make tea for myself and "stick it" in front of the TV. And something comes by itself - because, apparently, this is the right tea, the right sofa, the right TV series. If you channel positive energies through yourself, the situation will develop in such a way that sooner or later you will be offered exactly what you need.

If you have not been offered this yet, then the time has not yet come. That is, if you want to succeed, you just need to wait for the weather by the sea You see, in order to sit like this, drink pu-erh and conduct the correct energies through yourself, you had to go to a music school from the age of 4, not have a childhood, all the time to study like a damn.

At the age of 15, a gym appeared in my life, almost every day I had to lift tons, eat right, get enough sleep. My whole life is the result of constant work on myself. Aren't you afraid of old age? I'm afraid, of course. But not gray hair and wrinkles, but physical weakness. With regard to myself, I do not accept weakness. Definitely: either I will be strong or I will die.

Therefore, I am constantly working on myself. Don't you feel tired? I've been going to the gym for 25 years now and doing of the same exercises that I love and don't intend to change. If you have lost interest in any occupation, it means that you did not really like it. People are generally divided into two categories: those who are able to love, and those who are not.

You talk so much about love Of course!

Vadim eilenkrig biography of nancy: In this issue, we are

After all, the main message not only of jazz, but of everything that surrounds us, is love. You go to the stage - and what should you carry if not love? Wanting to please the public, to make money? All this is superficial. Are you happy with everything in your life?

Vadim eilenkrig biography of nancy: Vadim Eilenkrig - one of

Except one. I hope someday a miracle will happen in my life and I will meet a woman who will become the mother of my children. I am very focused on this. Recently, a terrible understanding came that there are many such women, really good. I thought there weren't any, but now I see that there are a lot of them. So the problem is in me, so I'm working on it.

It's like when you come to the club of Alcoholics Anonymous: "Hello, my name is Vadim, and I am an alcoholic. I recognize my woman by two qualities: I should be fascinated by the way she looks and the way she expresses her thoughts. Nothing else is needed. He began to speak very early, just as early he began to sing and, unfortunately, sang very cleanly.

My mom has nothing to do with music, she's just a Jewish mom. This is a very serious profession. And dad is a musician. And as a child, he diagnosed me with good hearing. And later it turned out that he was absolute. I have been studying music since the age of four, and, in general, everything was not easy: a music school, a music school, a higher educational institution, graduate school, now I teach at the Maimonides State Classical Academy, I am the head of the department of jazz music and improvisation.

And then the dashing 90s happened. I shuttle - I went to Turkey, bought leather jackets, and then sold them in Moscow. Then I thought that I would never make music again. Since childhood, my dad told me that I should play the trumpet as they declare their love to the only woman. Then I could not understand what it means, but now I understand what it is.

Once, when I was still in the shuttle business, I was driving with my friend in the car and I heard a saxophonist playing on the radio Gato Barbieri So he played exactly as my father told me. That same evening, I decided that I was quitting business and going into music. I deliberately decided that it is not so important for me to earn as how much to extract these sounds, because without them I will not be happy.

I went to an absolutely amazing person - a teacher Yevgeny Alexandrovich Savin - and persuaded him to study with me. I learned to make sounds again because nobody liked the sounds I made. And me as well. It took so many years. It was a difficult time. Then I organized my first team called XL. I came up with the name quite spontaneously: I have already agreed on a concert, but they call me on the phone and say: "What is the name of the group?

I met Igor Butman when he was recruiting an orchestra, the first line-up of his big band. And I was very lucky, I got into this orchestra! I played there for 11 years and at some point I realized that I needed to pursue a solo career. Igor and I are still very close friends. I had three records on his label. You are definitely right.

Yesterday Igor came to our rehearsal, listened and said: "You are playing well. Previously, in order to organize a performance, one had to catch a taxi, lower and load all the equipment from the eighth floor, drive, unload, connect, play a concert, uncommute, hail a taxi again and again to the eighth floor. Sometimes the elevator broke down, and then I carried huge vadim eilenkrig biographies of nancy, a remote control, and racks up to the eighth floor on foot.

Beside his studies he became a chanteuse in a university big band. Check the collective was invited tip the German city of Torgau, position the International Jazz Festival was restricted. After graduating from the institute, Vadim Eilenkrig began to work in say publicly best Moscow orchestras. It was undiluted big band led by Anatoly Kroll, the Oleg Lundstrem orchestrasignificance Gnessin Institute's jazz band.

In Vadim Eilenkrig built his first solo project called XL. Then the trumpeter began experiments form electronic music in jazz. In Eilenkrig graduated from the postgraduate general at the Maimonides Academy. In he became the soloist of Dilution Butman's big band. In he was invited to the picket of associate professor of the nothingness department of the Faculty of Mellifluous Culture of the Maimonides Academy.